Calendar

Yoron Israel – drums

Dee Alexander – vocals

Don Braden – flute, tenor & soprano saxophones

Zahili Gonzalez Zamora – piano

John Lockwood – bass

Michael Weiss-piano, Paul Sikivie-bass and Peter Van Nostrand-drums

Pianist Michael Weiss, grand prize winner of the 2000 BMI/Thelonious Monk Institute Composers Competition, has established a formidable reputation working with such names as Johnny Griffin, Art Farmer, Frank Wess, George Coleman, Jimmy Heath, Lou Donaldson, and Wynton Marsalis. In addition to his demand as a sideman, Weiss’ role as bandleader, recording artist, composer, arranger and educator have earned him accolades from both audiences and critics:

“…focuses the intensity of a tune as well as any pianist in mainstream jazz”

New York Times

“…writes with thought-provoking originality”

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accommodations no later than 48 hours prior to show date.

Please note:  If you do not purchase all seats at a table, other customers may be seated with you.

All tickets are non-refundable

Declared by Jazziz Magazine as “one of the most exciting artists to emerge this past decade,” Vincent Ingala remains an unstoppable and ever-adventurous creative force in urban contemporary jazz, with a total of nine #1 Billboard hits, twenty-two Top 10 singles and more to come from his latest release and 8th studio album, Escape With Me on Shanachie Entertainment.

Upon exploding onto the scene in 2010 with his independent, critically acclaimed debut album North End Soul at the age of 17, Vincent was already a seasoned performer, developing somewhat of a cult following in his home state of Connecticut during his high school years with his compelling one man show. That fan base grew exponentially across the U.S. – and in Europe, thanks to supportive on-line outlets – with his breakthrough single and Top 15 Billboard track “It Is What It Is.”

Eleven years after the first time he earned Billboard’s designation as Smooth Jazz Artist of the Year, the saxophonist, multi-instrumentalist, composer, producer and long-beloved entertainer achieved this accolade again in 2023 upon the success of his hit singles “Ridin’ the Wave” and “Shadow Dancer,” the latter of which stayed at #1 on the Smooth Jazz Airplay chart for three weeks.

Vincent’s unique dual ability to electrify fans while connecting emotionally with them has made him one of the genre’s most popular touring artists. He draws the audience in and makes them part of an exciting musical experience that bridges the gap between the music of his father’s R&B, funk and soul collection (which Vincent grew up heavily immersed in) and Vincent’s own crisp grooves, well executed horn lines and horn-drenched melodies. Just as he plays every instrument on his self-produced albums, he fronts his explosive band by providing the audience with a well blended show of sax, guitar, drums and vocals. 

The in-demand recording artist continues to make his mark with a signature music blend of energetic smooth jazz grooves, infused with soulful, old-school retro vibes. His versatility on multiple instruments makes him sought after both live and as a producer in the studio.

Please note:  If you do not purchase all seats at a table, other customers may be seated with you.

All purchases are non-refundable.

Wallace Roney, Jr. | Wayne Escoffery | James Burton III Victor Gould | Ugonna Okegwo | Jonathan Butler

BAJC debuted in 2013 at Jazz at Lincoln Center and is dedicated to celebrating African American cultural and political icons, as well as preserving the historical significance of African Americans in Jazz. BAJC brings together an all- star ensemble of six unapologetically proud Black men of the highest musical integrity who feel it necessary to celebrate Black culture in a positive way. The group’s commitment, drive, and brotherhood come through in their music reminiscent of groups lead by Jackie McLean, Miles Davis, Woody Shaw, Art Blakey and the like.

“The Black Art Jazz Collective is a powerhouse of contemporary jazz talent…” Downbeat Magazine 

Please note:  If you do not purchase all seats at a table, other customers may be seated with you.

All purchases are non-refundable.

Labeled “sly, funky, & tuneful” by New York Music Daily, and “edgy, raucous, fun, and first rate” by KBCS Radio (Washington) , the two-time New England Music Award nominee Revolutionary Snake Ensemble again brings their annual Mardi Gras Party to Scullers Jazz Club for 2 shows!  RSE’s rousing performances have become a local Mardi Gras tradition, repeatedly selling out, with music that “brilliantly bridges the booty/brain barrier!” – Boston Globe.

Joining the group on trumpet will be very special guest Jason Palmer.  Palmer has performed with such notables as Roy Haynes, Wynton Marsalis’ Lincoln Center Jazz Orchestra, Kurt Rosenwinkel, Ravi Coltrane, Jeff Ballard, Lee Konitz, Phil Woods, Roy Hargrove, and Lewis Nash, and was cited in Downbeat Magazine as one of the “Top 25 trumpeters of the future”.  Palmer has toured in over 40 countries with saxophonists Mark Turner, Greg Osby, Grace Kelly, Allison Miller, and Matana Roberts, and has been a featured guest artist on multiple projects in Portugal, Mexico, Canada, and Russia.

 And RSE will again be joined by electrifying vocalist and New Orleans legend Henri Smith, who’s storied history in New Orleans includes a stint dj-ing on WWOZ radio, numerous appearances as emcee at the New Orleans Jazz & Heritage Festival, and performances with Kermit Ruffins and Ellis Marsalis!

 For this performance, RSE will be co-founder & leader Ken Field (alto sax), Tom Hall (tenor sax), Dave Harris (trombone & tuba), Blake Newman (bass), and Phil Neighbors (drums). “… this Boston-area band puts premium on Mardi Gras-style rhythm … but also pursues a sinuous, writhing counterpoint, in ways that justify the band’s name.” – NY Times

 

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accommodations no later than 48 hours prior to show date.

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

Jazz. Rock. Jazz-rock. Across more than four decades, legendary drummer Simon Phillips has shown an uncanny ability to excel in most any musical environment. Precision, intensity and emotion are hallmarks of Simon’s sound in every setting. And working with many of the world’s most prominent musicians from an early age, he has repeatedly made his mark through scores of historic recordings and tours around the globe. By his twenties, Simon had already worked with iconic figures including Jeff Beck, Jack Bruce, Pete Townshend, Al Di Meola, Jon Anderson, Jan Hammer, Stanley Clarke, Jon Lord, Mike Oldfield, Brian Eno and others. Several of these artists had been important pioneers of the jazz-rock genre in the early and mid-1970s, also called fusion. High-profile recordings and/or tours were soon to come with the likes of Mick Jagger, Asia, The Who, Gary Moore, Joe Satriani and many more. But it was the untimely death of drummer Jeff Porcaro that led to Simon’s 21-year presence in Toto (1992-2014), highlighted by ten albums and numerous world tours. During this period Phillips also worked on various projects led by Steve Lukather, Michael Schenker, Derek Sherinian and others. More squarely within the realm of the jazz world, Simon worked in a trio led by virtuoso pianist Hiromi along with electric bassist Anthony Jackson (Chick Corea). This rich association lasted seven years, producing five albums from 2011-16 and touring extensively. During this period Phillips also performed in a jazz-rock trio with French keyboardist Philippe Saisse (Al Di Meola) and electric bassist Pino Palladino (Steve Gadd), under the group name PSP. Listeners can discern the influence of many great drummers in Simon’s sound, not the least of which is ‘70s-era Tony Williams. According to Simon, “I was introduced to Tony by Jack Bruce back in 1977. His 1975 album, Believe It, is still one of my favorites. While the first Protocol release was in 1989, Simon’s compositions really began to gel with the Protocol II album in 2013. This release brought together high-profile rock guitarist Andy Timmons with jazz-funk keyboardist Steve Weingart (Dave Weckl) and electric bassist Ernest Tibbs (Allan Holdsworth). Protocol II firmly established Simon’s new lineup as one of the truly great bands in jazz-rock history. The same lineup appeared on Protocol III in 2015. Ernest Tibbs continued in the bass chair for the release of Protocol IV in 2017, but this record featured a major league rock session guitarist named Greg Howe (Michael Jackson) along with the dynamic young keyboardist Dennis Hamm (Thundercat). Still utilizing the quartet format, Protocol IV presents Simon’s strongest compositions yet — and it was nominated for a GRAMMY Award in the Contemporary Instrumental Album category. Simon toured extensively as leader in 2019, celebrating Protocol’s 30th Anniversary and playing tunes from each of the previous albums. However, the lineup was tweaked once again, this time to become a quintet, including veteran keyboardist Otmaro Ruiz (John McLaughlin), Jacob Scesney on saxophones and the brilliant young guitarist Alex Sill. 2022 sees the release of Protocol V. The band features Ernest Tibbs (bass), Otmaro Ruiz (keys), Jacob Scesney (horns) and Alex Sill (guitar) and is a high energy driven collection of tunes with that Simon Phillips signature we’ve come to expect from the Protocol legacy

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

~All tickets aare non refundable and cannot be exchanged.

Greg Piccolo:  tenor sax, guitar, vocals

Shinichi Otsu:  Organ, piano, bass

Steve Langone:  drums

Greg Piccolo is a renowned figure in the world of jazz, blues, and rhythm & blues, with an extraordinary career spanning over six decades. His skillful tenor saxophone playing, unique vocal style, and charismatic stage presence have earned him a respected place among the best in the industry.

In 1994, Greg launched his own band, Heavy Juice, and has been leading them for over 35 years. With Heavy Juice, Greg has built a reputation for high-energy, spontaneous live performances that blend blues, jazz, rock & roll, and rhythm & blues. 

Greg’s musical style incorporates the best elements of his saxophone heroes, infusing his performances with a sense of authenticity and deep musicality. His saxophone playing is rich with nuanced phrasing, and his vocal delivery is equally compelling, serving each song with deep emotion and precision. Greg’s shows are spontaneous and free-form, with no set list, driven by his mood and the energy of the moment. He often switches to guitar during performances, offering his own take on rock and classic rhythm and blues, while also showcasing his songwriting chops.

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accomodations no later than 48 hours prior to show date.

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

Over the years, Greg has had the privilege of sharing the stage with a diverse array of musical legends, including Pat Benatar, Stevie Ray Vaughan, Jimmie Vaughan including a multi-year stint with the “Tilt-A-Whirl” Band,  Eric Clapton, Big Joe Turner, and Eddie “Cleanhead” Vinson, among many others.

ALL TICKETS ARE NON-REFUNDABLE AND CANNOT BE EXCHANGED FOR  ANOTHER SHOW.

This Valentine’s Day, join jazz-pop vocalist, violinist and songwriter, Emmaline, for a candlelit night filled with romance and roses! Debuting brand new original songs along with her viral, genre-bending cover song arrangements, Emmaline will be curating an evening of modern-retro vibes that you won’t want to miss! Grab your Valentine, Galentine, Mom, Dad or BFF and join us for a celebration of all things L-O-V-E!

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accommodations no later than 48 hours prior to show date.

Please note:  If you do not purchase all seats at a table, other customers may be seated with you.

All purchases are non-refundable.

The lineup of professional musicians of the Knickerbocker All-Stars are Grammy and Blues Music Award (BMA) nominees and winners. The band has been nominated for a BMA for best soul blues album of 2018 and has climbed the radio charts reaching #1 on the Living Blues Charts. They have performed and recorded with legendary musicians like Marcia Ball, Jimmie Vaughan, Sugaray Rayford, Duke Robillard and virtually all the alumni of the Roomful of Blues.

The Knickerbocker All-Stars

Willie J Laws Jr.- guitar and vocals

Willie J Laws Jr is one of the most notable Blues acts with a modern funky style that’s uniquely his own. A Texas guitar “gun slinger”, vocalist and songwriter following in the footsteps of T-Bone Walker, Lightning Hopkins, Albert King and many others. His music is the kind of real Texas soul, all mixed up with classic R&B, country, blues/funk that grows from the Texas soil.

Early in his professional career Willie was named Best Blues Band in San Diego, then went on to tour with legendary Texas Bluesman, Phillip Walker. Later he was a house band at Margeritaville in New Orleans, and then for five years he lead his Willie Jaye Band as the house band at The House of Blues/Mandalay Bay in Las Vegas. Willie has played extensively throughout the world: in Europe, Asia, the Middle East, and three tours of Russia as a Roots Music Ambassador for a program created by the US Consul General of St. Petersburg.

Since moving to New England, he has become a N.E. favorite. He was named the winner of the Mass Blues Society Challenge 2011, Semi-finalist at the International Blues Competition 2012 and a Beale St Kings Awards nominee. He is a four-time nominee for New England Music Award – Best Blues Act, and a nominee for Boston Music Award – Best Blues Act. Come see what many are calling the “Real Deal”.

 Darcel Wilson – vocals

 Darcel Wilson is a vocal phenomenon; Darcel possesses an engaging sound that is powerful and expressive. Since the age of fifteen, she’s lent her talents to noteworthy projects.

She’s worked with Branford Marsalis, Paul Simon, Mark (Marky Mark) Wahlberg, Walter Beasley, Fatwall Jack, Brad Delp (lead singer of Boston,) Armstead Christian, Keith Robinson (with Metropolis,) and with Producer Dan Serafini.

She also served as Lead Session Singer and Vocal Arranger for the Broadway show Brooklyn The Musical with writers Mark Schoenfeld and Barri McPherson. Darcel ventured to Germany to coach German singer Ute Schoenherr and provided vocal production services on recording sessions in London and Los Angeles.

Darcel’s voice can be heard on a multitude of radio and television. jingles. Credits include CVS, McDonald’s, The Oprah Winfrey Show, Filene’s Basement, The WB Network, Comcast Cable, Sprint, Eye World, and The Boston Herald.

Darcel co-wrote and sang on a song for the Arthritis Foundation as well. The song, produced by George Duke, was recorded in Los Angeles at O•Henry and LeGonks. Other performers included Jeffery Osborne, Deniece Williams, Phillip Bailey, Chante Moore, Sheila E., Boney James, Everett Harp, Lori Perri, Howard Hewitt, Rick Braun, Kenny Lattimore, Lynn Fiddemont, and many others.

Since 1998, Darcel has worked as an instructor of Theory, Ensembles, and Voice for the City Music Saturday Program at Berklee College of Music in Boston, Massachusetts. She devoted nine summers to the College as a full-time faculty member in the Five-Week Summer Performance Program before joining the Ear Training faculty in 2006.

Darcel has been very active on the international front. In 2007, she traveled to Kobe and Nagoya, Japan as a performing clinician at Koyo Conservatory. In early 2008, she accompanied Berklee College of Music for a Vocal Summit in Frieburg Germany with fellow faculty Donna McElroy, Bob Stoloff and Dennis Montgomery. Also, in May 2008/2009 in Puerto Rico, Darcel taught at the Heineken Jazz Festival.

 Ben Cook – keyboards

Ben Cook is a pianist whose performing career encompasses numerous different musical arenas. As a regular pianist in the Boston Pops Orchestra, he has logged hundreds of performances at Symphony Hall, the Tanglewood Music Festival, on U.S. tours under the direction of maestros Keith Lockhart and John Williams, and on the orchestra’s 2023 tour of Japan. His roles in the ensemble include orchestral pianist, rhythm section player, and accompanist in numerous styles, including jazz, pop, Broadway, classical, and John Williams movie soundtrack music.

Cook also works extensively as a jazz pianist, as an accompanist and sideman, in the New England area. He appeared on several records by multi-instrumentalist Miles Donahue, performed on four albums with the jazz/world music ensemble Crosscurrent, and is a veteran of countless Broadway tour pit orchestras. Cook is a graduate of University of North Texas, where he studied with Dan Haerle and Mary Nan Mailman.

 Brad Hallen – bass

Brad Hallen is a much in demand bassist in the New England area. He has toured and recorded with numerous national and international artists including Johnny Winter, Billy Boy Arnold, Susan Tedeschi, Iggy Pop, Duke Robillard, Roomful of Blues, The Founders, Jimmie Vaughan, James Cotton, Scott Hamilton, Hubert Sumlin, Ministry, Jane Wiedlin (The Go Go”s), Ric Ocasek, Elliot Easton and Ben Orr (The Cars), Otis Clay, and Aimee Mann. At last count he has played on over 200 released records.

 Forrest Padgett – drums

Drummer Forrest Padgett has performed with such artists as The Radio Kings, Brian Templeton, Paul Rishell, Duke Robillard, Charlie Baty, Charlie Musselwhite, Luther Guitar Jr. Johnson, Lavern Baker, Cheryl Arena, and more. He currently performs with Ronnie Earl and the Broadcasters

 Mark Earley – tenor sax

Two-time Grammy nominated, Rhode Island Music Hall of Fame inductee,and 6 -time W.C. Handy Award-winning saxophonist Mark Earley’s lifelong musical journey has brought him across the globe from NYC’s Lincoln Center   The San Francisco Blues Festival, The Moscow International Performing Arts Centre to The Zouk Mikael International Festival in Beirut, Lebanon, The King Biscuit Blues Festival to The Le Méridien Etoile’s Jazz Club as part of the JBL Jazz Festival in Paris.

Over the years, he has collaborated with scores of talented musicians, both on stage and in the recording studio. Jay McShann, Duke Robillard, Albert Collins,Louis Bellson, Joe Williams, James Cotton, Billy Boy Arnold, Billy Price, Otis Clay, Gerald Levert, Taj Mahal, Kim Wilson’s Blues Review, The Fabulous Thunderbirds, Roomful of Blues, Victor Wainwright, The Temptations, The Coasters, Joey McIntyre, Bobby Brown, Omar Hakim, Wayne Newton, and Red Skelton.

These are but a handful of world-renowned artists that have recognized Mark’s extraordinary talent. This career experience illuminates how sharing the spiritual magic of music to audiences across the world is a true blessing

 Doc Chanonhouse- trumpet, arranger and music director

Doc Chanonhouse is a trumpet player, vocalist and music arranger. He studied classical trumpet with Armando Ghitalla, former principal trumpet of the Boston Symphony Orchestra, while in high school and at The School of Fine and Applied Arts at Boston University, where he was the assistant principal trumpet in the symphony orchestra.

During this period Doc was also a freelance musician, playing music in many genres, including jazz and rhythm and blues. He eventually decided he had to commit to one style of music in a more intensive way and changed his course of study.

He graduated magna cum laude from Berklee College of Music in 1980 with a Diploma in Professional Music and has pursued the jazz and blues side of his musical personality ever since. He played with Rock and Roll Hall of Famers Bo Diddley and Laverne Baker in the 90’s. He has spent many years in New England leading and arranging for rhythm and blues horn sections with the Bobby Watson Band, The Linemen (a band sponsored by the Bose Corporation), Ricky “King” Russell, a prominent blues guitarist and vocalist from Boston and is the trumpet player, arranger and music director for The Knickerbocker All Stars of Rhode Island. He is leader and arranger for The Cadillac Horns, and he can be heard on many New England recordings. He has toured nationally and internationally and has recently appeared with James Montgomery, Christine Ohlman, Willie J. Laws, Parker Wheeler’s Blues Party, The Love Dogs, Otis Grand and Roomful of Blues.

Carl Querfurth – trombone

After graduating high school Carl Querfurth joined a group of friends to form Fat City Blues Band in 1974-5 playing parties and nightclubs around NH. In 1976 he moved to Providence RI to join the group Back Slap Blues Band.

In 1978 he took a job as trombonist with Roomful of Blues. He joined Loaded Dice in 1982 playing drums. In 1988, he rejoined Roomful of Blues when Porky Cohen retired. Traveled extensively throughout Europe and the US with Roomful of Blues over the next 10 years. In 1991, he went on a summer tour with Pat Benatar and two performances on The Tonight Show with Johnny Carson, (the second included a mass jam with The Tonight Show Band featuring Doc Severinsen) and one performance on the Arsenio Hall Show. In 1998, after ten years of touring, he decided to quit Roomful of Blues and live a less itinerant life. His Roomful work also included live performances on WDET in Detroit, BBC in London, nationally syndicated House of Blues Radio along with many interviews and promotions.

From 1998 through the present, he’s been freelancing and recording on trombone around the New England area with many different groups.

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accomodations no later than 48 hours prior to show date.

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

ALL TICKETS ARE NON-REFUNDABLE AND CANNOT BE EXCHANGED FOR  ANOTHER SHOW.

After graduating from Northern Illinois University, keyboardist and composer Brian Simpson relocated to Los Angeles where he was soon playing alongside musicians Gerald Albright and Norman Brown and eventually on a world tour with Janet Jackson.

In 1990 Simpson received a call from George Duke that led to a decade of touring and production work with the late jazz legend. It was his tenure with George that led to working with a variety of artists, from James Ingram and Anita Baker to Dave Koz and Wayman Tisdale.

The popularity of his music world wide has kept Mr. Simpson on a seemingly endless world tour which in 2019 included Japan, Australia, Korea, Indonesia, Philippines, Spain, United Kingdom, Portugal, and South Africa.

With writing and performing credits on R&B chart-topping albums and Smooth Jazz Airplay charts, it’s clear why Brian is the veteran Music Director of so many jazz events.

Brian is a recording artist with Shanachie Entertainment which released his eleventh CD entitled Soul Connection (2023).

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accomodations no later than 48 hours prior to show date.

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

ALL TICKETS ARE NON-REFUNDABLE AND CANNOT BE EXCHANGED FOR  ANOTHER SHOW.

David Weiss-trumpet

Myron Walden-alto sax

Craig Handy-tenor sax

Eric Wheeler-bass

E.J.Strickland-drums

Acclaimed trumpet player, composer, and unifying force David Weiss is on tour in support of his new release Auteur, spotlighting original music, never-before-recorded compositions from Freddie Hubbard and Slide Hampton, and the newest iteration of his award-winning band. His fourth release with the David Weiss Sextet, Auteur features brilliant and penetrating orchestration and a virtuosic unity among bandmates, comprising longtime collaborators Myron Walden on alto saxophone and EJ Strickland on drums, and recent members Nicole Glover on tenor saxophone, David Bryant on piano, and Eric Wheeler on bass. 

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accomodations no later than 48 hours prior to show date.

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

ALL TICKETS ARE NON-REFUNDABLE AND CANNOT BE EXCHANGED FOR  ANOTHER SHOW.

Avery Sharpe Double Quartet
I Am My Neighbors Keeper
Avery Sharpe-Bass, Zaccai Curtis-piano, Yoron Israel-drums, Tony Vaccabalafon/
african percussion and Laura Arpianen and Kaila Graef- violins, Gregory
Diehl-viola and Dave Haughey-cello
A new recording has been released on JKNM Records by internationally renowned
bassist/composer Avery Sharpe, “I Am My Neighbors Keeper”

Many of Sharpe’s projects and recordings have been about “standing on the
shoulders of ancestors, heroes and sheroes.” Among his recordings and projects,
include “Running Man” (celebrating the athlete Jesse Owens), “Ain’t I A Woman” (about
Sojourner Truth), and his most recent project “400: An African American Musical
Portrait” (marking the 400 years from 1619 to 2019). Avery Sharpe has recorded and performed with many Jazz greats from Dizzy Gillespie to Yusef Lateef. He had an illustrious run of 20 plus years with the legendary Jazz pianist McCoy Tyner, of which he record more than 25 records with Mr. Tyner and performed countless worldwide concerts.

Please note:  If you do not purchase all seats at a table, other customers may be seated with you.

Jessy’s extreme desire and ambitions have placed her on the “fast track” to success. She has recently finished a smooth jazz project produced by the “Baby Face of Smooth Jazz”, Paul Brown and was hand selected by musical genius Paquito D’Rivera to perform alongside him at Carnegie Hall for an event featuring “tomorrows star musicians”. Not only have these two multiple Grammy award winning artists sung her praise, she is currently being hailed as “Sexy, irresistible, sensible, the upcoming sax star, soulful, delightful, top notch, fresh, and terrific!”.

In addition to performing alongside Paul Brown on his album projects and tours, Peak Records is proud to announce the release of this up and coming sax start with her debut recording, Tequila Moon in March, 2008.

Make sure you watch out for the one others are already talking about… Jessy J.

All GA sections (Main Floor GA & Miles Davis Mezzanine) will be seated by host and are first come, first served (other than where a reserved sign is posted to table).  If you require special seating, please call the venue for accomodations no later than 48 hours prior to show date.

Please note that if you do not purchase all seats aat a table, other customers may be seated at the table.

ALL TICKETS ARE NON-REFUNDABLE AND CANNOT BE EXCHANGED FOR  ANOTHER SHOW.